An annual event: A River Runs Through It

I have just finished my annual reading of  Norman Maclean’s     A River Runs Through It.    It is my feeling that every writer should read it once a year.  Especially those to whom the setting is an important part of their narrative. it is so much more than a book about fishing.  It is arguably one of the great books of the second half of the 20th  century.  Any time I forget how to write … I just go and read the first and last pages of that  little  book. and … a note to all yet to be published writers:  read the little  piece below and take heart !NORMAN MACLEAN
Letter to an editor at Alfred A. Knopf, 1981

Dear Charles Elliott,

The dream of every rejected author must be to see, like sugarplums dancing in his head, please-can’t-we-see-your-next-manuscript letters standing in piles on his desk, all coming from publishing companies that rejected his previous manuscript, especially from the more pompous of the fatted cows grazing contentedly in the publishing field. I am sure that under the influence of those dreams some of the finest fuck-you prose in the English language has been composed, but alas, never published.

You must have known that Alfred A. Knopf turned down my first collection of stories after playing games with it, or at least the game of cat’s paw, now rolling it over and saying they were going to publish it, and then rolling it on its back when the president of the company announced it wouldn’t sell. So I can’t understand how you could ask if I’d submit my second manuscript to Alfred A. Knopf, unless you don’t know my race of people.

Whenever I receive a statement of the sales of A River Runs Through It from the University of Chicago Press, I see that someone has written across the bottom of it, “Hurrah for Alfred A. Knopf.” I can now only weakly say this: if the situation ever arose when Alfred A. Knopf was the only publishing house remaining in the world and I was the sole remaining author, that would mark the end of the world of books.


About Tom Honea

the south mississippi i grew up in did not yet have paved roads or telephones or televisions. it did have great story tellers, on front porches in the summer or around the fire place in the winter. we were poverty stricken, financially but not culturally. we didn't know it. everybody up and down the road was in the same boat. . after forty years of day jobs i am approaching my "fishing years." i plan to spend them writing. i have a finished and edited deep south novel in the "marketing" stages. currently i'm deep into a WW II home front piece set in the Hampton Roads, VA area. notes and character sketches are already underway for "From Hiroshima to Elvis" ( the ten years after the war ) on the coastal areas of South Carolina. . visit asheville ... come and see me.
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